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Metalycée

Armin Steiner, Nik Hummer, Bernhard Breuer, Matija Schellander, Melita Jurisic

Members of Metalycée: Armin Steiner (2), Matija Schellander, Nik Hummer
This performer (group) in the Internet: http://www.interstellarrecords.at/artists/metalycee/



Discography of Metalycée:

Click to release title to look at track list of the album
# Cover Release title Total tracks Download release in mp3 Imprint date Label
1 Metalycée - Another White Album Another White Album 10 mp3 2004-11-00 Mosz
2 Metalycée - Metalycée Metalycée 3 mp3 2008-01-00 Interstellar Records
3 Metalycée - It Is Not It Is Not 9 mp3 2009-05-00 Mosz
4 Metalycée - Tell Me Tell Me 3 mp3 2010-08-04 Dilemma Records (2)
5 Metalycée - Expat Blues Expat Blues 8 mp3 2014-04-22 Interstellar Records

Ashes to ashes, dust to dust... Sound. Experiment. Avant-garde. Ashes. Dust. Metal. From a disc of fully digitally processed drum and guitar samples developed in 2003 by Viennese sound artists Armin Steiner and Nik Hummer (who as part of Thilges3 operated on the cutting edge of art, noise and politics ) emerged the project Metalycée. A telling name, which tells of cerebral hardness, of guttural fantasy. A name, which does not give too much away. Since two years drummer Bernhard Breuer, bass guitarist Matija Schellander and singer Melita Jurisic completed the experimental growth, which did not evolve without consequence: The new album “It Is Not” belongs to another, more surreal tryst, between Free Jazz, Metal and, now, to HipHop. Those who need to name genres, may add Free Rap, even HipDrone, but nobody really needs categories. Above all, what concerns Metalycée is not awkward genre deconstructions, nor aimless experimentals. The concern is the whole, sublime truth of the sound. This truth is: there are no boundaries. “It Is Not” indicates that subtlety can also be deafening, that the most intensive noise can also consist of finesse. Or, more figuratively: “It Is Not” walks with a map of the South Bronx through Norwegian swamps, cesspools of beats, geysers of noise that break into industrial mud slicks. And over all that, over little death bells and deathly basses, comes the lyric furor of Melita Jurisic: Ashes to ashes, dust to dust…


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