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Mark Wirtz

Mark Philipp Wirtz

Also known as Ferdy, M Wirtz, M. Wirtz, M.P. Wirtz, M.u.R. Wirtz, Marc Wirtz, Mark P. Wirtz, Wirtz
This performer (group) in the Internet: http://www.markwirtz.com/, http://en.wikipedia.org/wiki/Mark_Wirtz



Discography of Mark Wirtz:

Click to release title to look at track list of the album
# Cover Release title Total tracks Download release in mp3 Imprint date Label
1 Mark Wirtz - The Hollywood Years 1971-1982 Vol. 2: The Dreamer Of Glass Beach The Hollywood Years 1971-1982 Vol. 2: The Dreamer Of Glass Beach 19 mp3 1999 RPM Records (2)
2 Mark Wirtz - The Go-Go Music Of The Mark Wirtz Orchestra & Chorus The Go-Go Music Of The Mark Wirtz Orchestra & Chorus 23 mp3 1996 RPM Records (2)
3 Mark Wirtz - (He's Our Dear Old) Weatherman (He's Our Dear Old) Weatherman 2 mp3 1968-02-00 Odeon
4 The Mark Wirtz Anthology - Garage Sale At Rainbow's End 91 mp3 2002-09-00 Capital M
5 The Fantastic Story Of Mark Wirtz And The Teenage Opera 40 mp3 2001 RPM Records (2)
6 Mark Wirtz - Engel Fallen Nicht Vom Himmel / Shy Boy Engel Fallen Nicht Vom Himmel / Shy Boy 2 mp3 1968
7 Mark Wirtz - Wirtz And Music Wirtz And Music 26 mp3 2009
8 Caroline 2 mp3 1969-10-03 CBS
9 Debut! 12 mp3 1966 World Record Club
10 Balloon 11 mp3 1973 Capitol Records
11 My Daddie Is A Baddie 2 mp3 1969 CBS
12 Mark Wirtz - Die Zeit Kennt Keine Wiederkehr Die Zeit Kennt Keine Wiederkehr 4 mp3 1970 Columbia

Born in 1943 in Strasbourg, Alsace (France). Wirtz will always be remembered as the creator of the infamous [i]Teenage Opera[/i] which catapulted Keith West into momentary fame. Prior to this, he was a successful producer at EMI principally for his work on the stereo-only [i]Studio 2[/i] series. Wirtz was already producing the (pre [a=Tomorrow (2)]) [i] In Crowd[/i], had used [a=Steve Howe] as a session guitarist on various projects, and subsequently asked Keith West to assist him on the "Teenage Opera". Although the relative failure of [i] Sam [/i], the second single, doomed its progress, he used Abbey Road down-time to assemble more "Opera" material, notably the highly complex [i] (He's Our) Dear Old Weatherman[/i]. It bore all of the producer's distinctive trademarks - swirling strings, child singers and a sumptuous melody - and the result was an artistic masterpiece. Sadly, it was not a commercial success and all remaining Opera music was shelved. Wirtz remained very active in the music world, recording a variety of albums and singles during the seventies.


Comments about Mark Wirtz:



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